Guest Craft Lesson: What postcards can teach writers by Jacqui Banaszynski

Craft Lessons

Postcards have always held a special place in my life. If I were a collector, postcards would be high on my list. Not for the initial image, but for the act of sending and receiving, and the magic of storytelling involved in that action.

When I send students off into the world or reporters on assignment, the one thing I ask is that they send me a postcard. I’m always delighted when one follows through. I love seeing the images they choose, being introduced to their handwriting (a rare thing these days) and being enchanted by the mini-story they’ve chosen to tell me.

Because that’s another huge value of postcards. They are the perfect venue for practicing the craft ~ and purpose ~ of storytelling.

For years, when I traveled, I would send at least one postcard a day. I’d usually write at day’s end, perhaps at a bistro over a glass of wine, or maybe mid-afternoon over a coffee. My goal was not to say “Hey! I’m at the Parthenon!” But to instead share a moment or scene or experience from that day. To tell a story.

The ritual of putting pen to paper caused me to slow down and reflect on my day. To enter that mental/emotional story space that writers occupy.

Knowing I would write reminded me to report ~ to pay closer attention to the world as I moved through it. It caused me to be on alert to the little dramas that played out around me ~ to note the particular blue of the African dusk, the disorientation that came from staring at the stars in the southern hemisphere, how a table of Romanians kept guard over their too-drunk friend. (And yes, to find a post office and a stamp.)

Knowing the writing space was limited ~ maybe a 2×2 inch square ~ took the pressure off. The blank page/screen can seem endless and intimidating. A 2×2-inch postcard square? Hardly.

The reality of that space limit helped me focus. Verbs had to be active. Descriptions spare. Detours eliminated.

Writing on paper instead of the computer meant I had to accept my first draft and then let it go. No do-overs. (In daily news parlance, hit the SEND button!)

Knowing I would be writing to someone I cared about me made me care about what I wrote. It became an investment in a personal connection. I wanted them to see what I saw, to feel some of what I felt, to wonder a bit at my wonderment.

And that means I had to draw on the craft tools that writers employ to create story magic: scene, description, action, metaphor, dialog, sensory detail, tension, emotion.

All in a 2×2-inch square.

I carried this practice forward to classes and workshops. I once had students write a postcard a day for a month. Another time I had workshop writers pick someone they wanted to thank ~ maybe an inspiring teacher or the editor who gave them a chance or the brother who paid their rent one desperate month in college (Thank you, Jeff.) ~ and send that person a postcard. Capture their relationship and gratitude in a 2×2-inch square.

Of late I have transferred some of this practice to Facebook. When I’m overseas, I make it a mission to post a true story each day ~ what I think of as a nano-narrative. It still teaches me what, as writers, we all need to learn, relearn and practice:

  • Pay attention to the world around you. Slow down. Open yourself to experience. See with your eyes, your mind and your heart.
  • Find the center of a story. Develop a moment, a character, a scene, an experience.
  • Choose words that are vivid and precise, evocative and metaphorical.
  • Lower your standards and learn the value of Anne Lamott’s “Shitty First Draft.” Quit thinking at some point and write.
  • Write ~ deeply and personally ~ to someone you care about. Then learn to care about everyone who might read your writing.

Here are two of my nano-narratives from trips as evidence of all of the above. They are far from perfect. Just little stories.

Romanian Retrospective 14 (10.15.2012) Breakfast in Socodor, far western Transylvania. This was served the morning after a huge welcome dinner the night before. All made at Simina Mistreanu’s mother’s village farm or that of the neighbors. The tomatoes were picked that morning, served with the dew still on them and sweet as apples. Cheese and bread were delivered fresh by neighbors. Large plate of fat-back served with enthusiasm, but I said my health insurance would be cancelled if I indulged.

CHINA DISPATCH 9 (July 11, 2009) ~ I was prayed awake by chanting. Drifted over to the Daci Monastery next to the hotel, paid 3 yuan (45 cents) and entered an oasis of peace. Hundreds of women had shed shoes and purses, donned brown robes from a common laundry basket, and wound round and round the temple through a maze of prayer cushions, chanting in a low, meditative melody as an elderly monk rang a small brass bell to keep time.

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