When a newspaper shutdown hits close to home: An interview with Graig Graziosi

Interviews

It was an all too familiar story. Another American factory closed down, the latest in a long line of declines in manufacturing battered by foreign competition and automation. This time it was the giant General Motors plant, the mainstay of Lordstown, Ohio. For Graig Graziosi, a reporter for The Vindicator in neighboring Youngstown, it was yet another example of what he calls the “hollowing of the American dream” in America’s Rust Belt.

Graziosi’s editor assigned him to cover the last days of GM Lordstown, little knowing as he worked the story that his employer, the Vindicator, was about to suffer the same fate. This past August, a few months after his story ran, the presses of the 150-year-old Vindicator ran for the last time, a victim of anemic circulation and vanishing advertising. 

In a highly personal longform essay, “When My Newspaper Died,” Graziosi chronicles his last days there while deftly twinning the paper’s demise with the end of a sprawling factory that gave its workers a middle-class lifestyle and created vibrant communities teeming with activity and rich with history. Youngstown is Graziosi’s hometown, and his story powerfully captures “a cycle of death and exodus” he’s witnessed over the years.

I interviewed Graziosi, now a freelance writer in Washington D.C., about the story, which was co-published by The Delacorte Review and Columbia Journalism Review., for Nieman Storyboard, This excerpt is reprinted with permission.

We talked about his approach to reporting about others through the prism of others, the challenge of first person narrative and whether he has lost faith in the newspaper he loves.

Here are excerpts from our conversation.

You do a masterful job writing about others through the prism of your own story. How and why did you choose to approach the subject this way?
Thank you. As a journalist, I’m most at home telling other people’s stories, so I think I naturally trend toward writing about other people even when I’m writing about myself. When I think of my time out west, for example, I think about the other people I lived with and their experiences as crucial elements of my time there. I couldn’t divorce their stories from my own and still tell the truth about that time of my life. Likewise, I couldn’t tell the story of my final weeks at the Vindicator without talking about the workers at Lordstown that dominated my life just before it happened.

I also wanted people to relate to my story. You mentioned earlier that there’s a risk in a piece like this of it becoming self-indulgent. If I just wanted to write about myself, I have a journal. For something I’m creating for mass consumption, I want it to serve a greater purpose than simply a place for my thoughts to bounce around. I knew I wasn’t the only one feeling this way, so I tried to use the stories of those who could sympathize with my situation to strengthen the piece and give it a more universal appeal.

After a career in a business where “I” can often be a dirty word, why did you decide to write a story in the first person? What were the challenges? The rewards?
The story was always going to be a personal essay, so the first person perspective was pretty much built in from the start. I find most of the ways reporters try to write around the first person to be clunky and distracting. “This reporter” is just a bizarre way to communicate.

I’m pretty hostile to the distaste for the first person that we have in our business. I understand why we don’t write general news reports in first person and I’ve participated in endless conversations about language and objectivity. But first person writing is gripping, and intimate, and if I’m going to put myself out there, I figure I should just go for it and really try to bring the readers into my world as I’ve lived it.

In terms of challenges, the only one that stuck out was pacing. It can get boring quickly if you just have graph after graph of a writer pontificating, so you have to find ways to break it up. That’s why we jump across time periods or will momentarily shift the focus away from me to the UAW workers, or the Lordstown mayor, or the Jamaican immigrant for a moment. It’s like a relief cut when you’re woodworking.

What was the difference and/or difficulty between writing about yourself versus about others?
Writing about yourself can be tough because it’s not always clear what information is worth including. Moments you think are relatively mundane can be mined for gold and moments that are very defining in your mind sometimes just don’t fit. If you ask me what about the last several months was more world-changing for me — beginning a relationship with my girlfriend or sitting in a diner in Lordstown for an hour and eating a grilled cheese sandwich — I think it’s obvious I’d say my relationship. Yet that only gets a brief mention in my story, while my visit to the diner is like five graphs long.

I think it’s easier to write about other people for the simple reason that you have more emotional distance from the events being described, and can use that distance to exercise editorial judgment over which parts are critical to the narrative.

I admire your use of metaphors and analogies. “It felt as though we’d gotten a call from the hospital alerting us that a terminally ill loved-one was nearing the end. We knew it was coming, but it didn’t make the news any easier to hear” and “My parents and I knew different cities. They knew Youngstown when it was alive and so mourned it in death. I knew only after it had been taxidermied and forgotten in the attic.” Compared to how you wrote for your newspaper, is this your natural style or did you feel you had more emotional access to your own story?
I try to be careful with metaphors because it’s obviously easy to mix them and muddle your meaning, but I do think they’re powerful tools for helping build emotional familiarity with a concept. When I was writing for the newspaper I only wrote like that on a few occasions. But I would absolutely say the style you see in the CJR piece is indicative of my style when I’m left to my own devices.

Any skill I have at metaphor I have to credit to the many hours I spent listening to sermons back when I was a very active church-goer. Pastors almost always utilize some parable to segue into their weekly message, so I had weekly exposure to good and some not-so-good examples of how to weave a personal story into a larger message. During those days I used to lead a Bible study and would often try to replicate that style. It influences my writing to this day.

You can read the entire story and interview here.

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